Products related to Copyright:
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Art and Copyright
First published in 2001, Art and Copyright has established itself as a leading text in the field.Revised and updated, this third edition includes additional coverage of the following topics:- The relationship between designs law and artistic works;- EU and Brexit developments;- AI-created works;- graffiti and other non-conventional works;- blockchain and rights management;- orphan works;- new exceptions to copyright; and- digital copyright, art databases and online platforms. This book remains an invaluable work for all those involved in art law and for intellectual property lawyers involved with the exploitation and/or sale of artistic works, as well as for intellectual property academics, researchers, law students, curators, publishers, artists, gallery owners, auction houses, and those developing and running online art platforms, databases and technology to transact in art.
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Owning the Masters : A History of Sound Recording Copyright
Owning the Masters provides the first in-depth history of sound recording copyright.It is this form of intellectual property that underpins the workings of the recording industry.Rather than being focused on the manufacture of goods, this industry is centred on the creation, exploitation and protection of rights.The development and control of these rights has not been straightforward.This book explores the lobbying activities of record companies: the principal creators, owners and defenders of sound recording copyright.It addresses the counter-activity of recording artists, in particular those who have fought against the legislative and contractual practices of record companies to claim these master rights for themselves.In addition, this book looks at the activities of the listening public, large numbers of whom have been labelled ‘pirates’ for trespassing on these rights.The public has played its own part in shaping copyright legislation.This is an essential subject for an understanding of the economic, artistic and political value of recorded sound.
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Contract and Copyright Drafting Skills
Contract and Copyright Drafting Skills is a brand new title which will help you develop and create greater flexibility in your drafting skills.Using clear explanations and practical examples your ability to write clauses, draft, negotiate, analyse and review contracts will be enhanced.It is designed to be used in conjunction with your own precedent bank or alongside The A-Z of Contract Clauses, Sixth Edition. This title gives guidance on the variety of techniques that can be used in drafting contracts including the significance of the purpose of the agreement and the focus of the outcome.In addition it covers definitions, an important aspect of contract drafting, and also general background factors that can be useful to consider when drafting a contract. Contract and Copyright Drafting Skills will help you to appreciate the elements that can be edited in a clause thereby widening, decreasing or improving liability, risk, costs, revenue and control of rights.It also explains the process of the expansion, reduction and adaptation of clauses to meet the needs of the circumstances of the parties giving you the confidence to make that assessment and to focus on the aim of achieving the best agreement in the circumstances. Whether new to contact drafting or an experienced contract drafter, whether a lawyer or non-lawyer Contract and Copyright Drafting Skills will provide you with all the tools and guidance you need to become an expert contract drafter.
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Copyright and Cartography : History, Law, and the Circulation of Geographical Knowledge
This open access book explores the intertwined histories of mapmaking and copyright law in Britain from the early modern period up to World War 1, focusing chiefly on the 18th and 19th centuries.Taking a multidisciplinary approach and making extensive use of the archival record, this is the first detailed, historical account of the relationship between maps and copyright.As such, it examines how the emergence and development of copyright law affected mapmakers and the map trade and how the application of copyright law to the field of mapmaking affected the development of copyright doctrine.Its explorations cast new light on the circulation of geographical knowledge, different cultures of authorship and creativity, and connections between copyright law, print culture, technology, and society. The book will be of interest to legal historians, intellectual property scholars, and historians of the map and print culture, as well as those interested in the history of knowledge and how legal control over data has been exerted over time.It takes the reader back to the earliest attempts to establish who can own and control geographical information and its graphic representation in the form of a map.In so doing, it establishes a long history of tension between the interests of private enterprise, government, and the public.The book’s investigations end in the first decades of the 20th century, but the tensions it identifies persist in the 21st century, although today paper maps have been largely replaced by web-based mapping platforms and digital geospatial data. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com.Open access was funded by the Australian Research Council.
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What are copyright infringements?
Copyright infringements occur when someone uses, copies, distributes, or displays someone else's work without permission. This can include using copyrighted material such as text, images, music, or videos without obtaining the necessary rights or licenses. Copyright infringements are illegal and can result in legal action, fines, and damages for the infringing party. It is important to respect copyright laws and obtain proper permissions before using someone else's work.
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Can copyright be bypassed?
Copyright can be bypassed in certain situations, such as through fair use, which allows for limited use of copyrighted material for purposes such as criticism, commentary, news reporting, teaching, scholarship, and research. Additionally, works in the public domain are not protected by copyright and can be freely used by anyone. However, it is important to be aware of copyright laws and to obtain permission or a license when using copyrighted material to avoid potential legal issues.
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Are songs copyright-free?
No, most songs are not copyright-free. Songs are typically protected by copyright law, which means that the creators of the songs have the exclusive right to reproduce, distribute, and perform their work. In order to use a copyrighted song, you would need to obtain permission from the copyright holder or license the song for use. There are some songs that are in the public domain and therefore free to use, but these are typically older songs whose copyrights have expired.
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What is Displate's copyright?
Displate's copyright refers to the protection of their original artwork and designs. It gives them the exclusive right to reproduce, distribute, and display their artwork. This means that others cannot use their designs without permission, and it allows Displate to control how their artwork is used and ensure that they receive credit and compensation for their work.
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Performing Copyright : Law, Theatre and Authorship
Based on empirical research, this innovative book explores issues of performativity and authorship in the theatre world under copyright law and addresses several inter-connected questions: who is the author and first owner of a dramatic work?Who gets the credit and the licensing rights? What rights do the performers of the work have? Given the nature of theatre as a medium reliant on the re-use of prior existing works, tropes, themes and plots, what happens if an allegation of copyright infringement is made against a playwright?Furthermore, who possesses moral rights over the work?To evaluate these questions in the context of theatre, the first part of the book examines the history of the dramatic work both as text and as performative work.The second part explores the notions of authorship and joint authorship under copyright law as they apply to the actual process of creating plays, referring to legal and theatrical literature, as well as empirical research.The third part looks at the notion of copyright infringement in the context of theatre, noting that cases of alleged theatrical infringement reach the courts comparatively rarely in comparison with music cases, and assessing the reasons for this with respect to empirical research.The fourth part examines the way moral rights of attribution and integrity work in the context of theatre.The book concludes with a prescriptive comment on how law should respond to the challenges provided by the theatrical context, and how theatre should respond to law.Very original and innovative, this book proposes a ground-breaking empirical approach to study the implications of copyright law in society and makes a wonderful case for the need to consider the reciprocal influence between law and practice.
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Copyright : Best Practices for Academic Libraries
Finally: a plain-language guide to best practices for the complex world of copyright management in academic libraries. Copyright issues continue to perplex librarians and educators.The difficulties and confusion in applying the U.S. Copyright Act became especially apparent when Covid hit and many universities turned to remote learning as their primary method of instruction.Librarians and educators struggled with applying the law for both remote learners and students who were on site.This book provides advice on how to analyze and apply the copyright law to specific areas encountered by librarians and instructors. Coverage includes:Controlled digital lending is a very hot issue and confusing to many as to how copyright could apply in those situationsremote learning do’s and don’ts’ is at the forefront of copyright concerns which was highlighted during the pandemicThe application of copyright to music in light of recent changes to the U.S.Copyright Act has caused much confusion. Analysis of the new law and strategies on how to include music in a curriculum as well as how libraries can provide access and preservation of musical works. Open access initiatives have become increasingly popular.However, open access does not mean that there is no copyright attached to the works. The use of data is exploding as are the copyright issues associated with it.We will examine the issues and provide options. Written by Donna L. Ferullo, the Director of the University Copyright Office at Purdue University who holds both law and library science degrees and Dwayne K.Buttler, the Evelyn J. Schneider Endowed Chair for Scholarly Communication at the University of Louisville, who also holds a law degree.Both Ferullo and Buttler have many years of experience advising their universities on copyright law.
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Digitising Cultural Heritage : Clashes with Copyright Law
This book investigates the role played by copyright on the digitisation of cultural heritage from 3 angles: the theoretical differences between cultural property law and copyright; a comparative analysis of the EU, the UK, and the US; and the analysis of current practices and concerns, based on empirical research. As heritage digitisation projects are becoming increasingly common for purposes such as preservation and access, the impact of copyright is also becoming more problematic.In order to provide a full and current picture of the copyright problem, the book first introduces the reader to the debates on cultural heritage and copyright implications of new technologies, including: 2D and 3D scanning; virtual and augmented reality; text and data mining; and artificial intelligence. The author then divides the main critical analysis into 3 parts, referred to as the clashes with copyright.The 1st, theoretical clash, lies between cultural property law and copyright justification theories on the issues of public interest and ownership of heritage.The 2nd clash is in the different legal approaches to digitising in-copyright, public domain, orphan, out-of-commerce and unpublished works in the chosen jurisdictions.The 3rd clash is in the interests of the stakeholders, based on public reactions to existing projects and cases, supported by interviews with heritage professionals engaging in digitisation. By placing itself in this particular intersection of law, heritage, and technology, the book will be of interest to both intellectual property academics and cultural heritage professionals.
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Copyright : What Everyone Needs to Know®
Copyright law was once an esoteric backwater, the special province of professional authors, publishers, and media companies.This is no longer the case. In the age of social media and cloud storage, we have become a copying and sharing culture.Much of our everyday communication, work, and entertainment now directly involves copyright law.Copyright law and policy are ferociously contested. Record labels, movie studios, book publishers, newspapers, and many authors rage that those who share music, video, text, and images over the Internet are âstealingâ their property.By contrast, copyright industry critics celebrate digital technologyâs potential to make the universe of movies, music, books, and art accessible anytime and anywhere â and to empower individuals the world over to express themselves by sharing and remixing those works.These critics argue that excessive copyright enforcement threatens that promise and stifles creativity. In Copyright: What Everyone Needs to Know®, Neil Weinstock Netanel explains the concepts needed to understand the heated debates about copyright law and policy.He identifies the combatants, unpacks their arguments, and illuminates what is at stake in the debates over copyrightâs present and future.
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What is a copyright infringement?
A copyright infringement occurs when someone uses, copies, or distributes someone else's work without permission. This can include using text, images, music, or other creative works without the proper authorization from the original creator or copyright holder. Copyright infringement is a violation of the creator's exclusive rights to their work and can result in legal consequences such as fines or lawsuits. It is important to respect copyright laws and obtain permission before using someone else's work.
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Is there copyright on TikTok?
Yes, there is copyright on TikTok. Users own the copyright to the content they create and share on the platform, including videos, music, and other creative works. TikTok also has its own copyright policies and guidelines to protect the intellectual property of its users and ensure that copyrighted material is not used without permission. Therefore, users should be mindful of copyright laws and obtain proper permissions before using copyrighted material in their TikTok videos.
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What is copyright for texts?
Copyright for texts is a legal protection that gives the creator of an original work the exclusive rights to reproduce, distribute, and display their work. This means that the creator has control over how their text is used and can prevent others from copying or using it without permission. Copyright for texts helps to protect the intellectual property of authors and ensures that they receive credit and potentially financial compensation for their work.
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What does copyright complaint mean?
A copyright complaint is a formal notification made by the owner of a copyrighted work to inform a platform or individual that their work has been used without permission. The complaint typically requests that the unauthorized use be removed or that proper credit be given to the copyright owner. Failure to address a copyright complaint can lead to legal action for copyright infringement.
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