Products related to Emotion:
-
Affect and Emotion in Tourism
Bringing affect and emotion to the forefront of tourism studies, this book presents a new generation of scholars who consolidate emerging affective approaches and establish a route for scholarship that examines the roles of emotion and affect in tourism. Attuning to affect and emotion, this book steers the affective turn to encompass touring bodies and tourism places.Engaging the concept of affect as a constitutive element of social life often leaves academics grasping for terminology to describe something that is, by its very nature, beyond words.For this reason, as evident in the four interconnected sections of this volume, studying affect poses a significant and fruitful challenge to the status-quo of social scientific method and analysis.From African-American emotional labour while travelling, to visiting Banksy's Dismaland park, to affective heritagescapes, self-love, and travelling mittens, and across socio-spatial theories of emotions, decolonial feminist theory, and atmospheric politics, this book demonstrates the epistemic and empirical richness of affective tourism. Along with the contributors to this volume, the editors make a case for thinking about emotions and affects through collective and individual practices as interrelated shaping tourism encounters in and with places.That is, to break it down as doing, and as shared between bodies and places through the doing.The chapters in this book were originally published as a special issue of Tourism Geographies.
Price: 125.00 £ | Shipping*: 0.00 £ -
Love Objects : Emotion, Design and Material Culture
How are love and emotion embodied in material form?Love Objects explores the emotional potency of things, addressing how objects can function as fetishes, symbols and representations, active participants in and mediators of our relationships, as well as tokens of affection, symbols of virility, triggers of nostalgia, replacements for lost loved ones, and symbols of lost places and times. Addressing both designed 'things with attitude' and the 'wild things' of material culture, Love Objects explores a wide range of objects, from 19th-century American portraits displaying men's passionate friendships to the devotional and political meanings of religious statues in 1920s Ireland.
Price: 26.99 £ | Shipping*: 3.99 £ -
Anger : The Conflicted History of an Emotion
Tracing the story of anger from the Buddha to Twitter, Rosenwein provides a much-needed account of our changing and contradictory understandings of this emotion All of us think we know when we are angry, and we are sure we can recognize anger in others as well.But this is only superficially true. We see anger through lenses colored by what we know, experience, and learn. Barbara H. Rosenwein traces our many conflicting ideas about and expressions of anger, taking the story from the Buddha to our own time, from anger’s complete rejection to its warm reception.Rosenwein explores how anger has been characterized by gender and race, why it has been tied to violence and how that is often a false connection, how it has figured among the seven deadly sins and yet is considered a virtue, and how its interpretation, once largely the preserve of philosophers and theologians, has been gradually handed over to scientists—with very mixed results.Rosenwein shows that the history of anger can help us grapple with it today.
Price: 22.50 £ | Shipping*: 3.99 £ -
Nostalgia : A History of a Dangerous Emotion
'A fascinating and rigorous debunking of everything I thought I knew about nostalgia' - Pandora Sykes 'Absorbing' - Guardian'Arnold-Forster is a shrewd critic and delightful guide . . . She carries weighty learning lightly – embracing everything relevant, from dubious neuroscience to cod sociology.' - The TelegraphIn Nostalgia: A History of a Dangerous Emotion, Agnes Arnold-Forster blends neuroscience and psychology with the history of medicine and emotions to explore the evolution of nostalgia from its first identification in seventeenth-century Switzerland (when it was held to be an illness that could, quite literally, kill you) to the present day (when it is co-opted by advertising agencies and politicians alike to sell us goods and policies). Nostalgia is a social and political emotion, vulnerable to misuse, and one that reflects the anxieties of the age.It is one of the many ways we communicate a desire for the past, dissatisfaction with the present and our visions for the future.Arnold-Forster’s fascinating history of this complex, slippery emotion is a lens through which to consider the changing pace of society, our collective feelings of regret, dislocation and belonging, the conditions of modern and contemporary work, and the politics of fear and anxiety.It is also a clear-eyed analysis of what we are doing now, how we feel about it and what we might want to change about the world we live in. ‘Arnold-Forster belongs to that valuable non-jargon-spouting breed of academic who is capable of explaining complex ideas in simple language.’ - The Times
Price: 22.00 £ | Shipping*: 3.99 £
-
Is hatred really an emotion?
Hatred is often described as a strong feeling of intense dislike or animosity towards someone or something. While it is commonly referred to as an emotion due to its powerful and visceral nature, some argue that it is more of a learned behavior or mindset rather than a pure emotion. Hatred can be fueled by a variety of factors such as fear, prejudice, or past experiences, making it a complex and multifaceted phenomenon that goes beyond just being a simple emotion.
-
Is fear the strongest emotion?
Fear is a powerful and primal emotion that can have a strong impact on our thoughts and actions. However, it is not necessarily the strongest emotion for everyone. Different individuals may experience and respond to emotions in different ways, and what feels most powerful to one person may not be the same for another. Emotions such as love, anger, and joy can also have a significant impact on our lives and can be just as powerful as fear in certain situations. Therefore, it is subjective to say whether fear is the strongest emotion overall.
-
Is hate really an emotion?
Hate is often described as a strong feeling of intense dislike or animosity towards someone or something. While it is not a primary emotion like happiness or sadness, hate is considered a complex emotion that can be fueled by a combination of other emotions such as anger, fear, or disgust. It involves a deep-seated aversion and can lead to harmful thoughts and actions. Overall, hate can be seen as a powerful and destructive emotion that can have significant impacts on individuals and society.
-
What does little emotion mean?
Little emotion refers to a lack of strong feelings or expressions of emotion. It can indicate a sense of detachment, indifference, or apathy towards a situation or person. People who exhibit little emotion may have difficulty connecting with their own emotions or the emotions of others, leading to a perceived lack of empathy or understanding in social interactions.
Similar search terms for Emotion:
-
Atlas of Emotion : Journeys in Art, Architecture, and Film
Atlas of Emotion is a highly original endeavour to map a cultural history of spatio-visual arts.In an evocative montage of words and pictures, emphasises that "sight" and "site" but also "motion" and "emotion" are irrevocably connected.In so doing, Giuliana Bruno touches on the art of Gerhard Richter and Annette Message, the film making of Peter Greenaway and Michelangelo Antonioni, the origins of the movie palace and its precursors, and her own journeys to her native Naples.Visually luscious and daring in conception, Bruno opens new vistas and understandings at every turn.
Price: 48.99 £ | Shipping*: 0.00 £ -
Blueprints for the Soul : Why we need emotion in architecture
You know that something is wrong, even if you can’t quite put your finger on it.This book tells you why, and how to solve it. There is a lack of beauty and emotion in our built environment.The visual patterns in nature that instinctively satisfy us are being obliterated from our surroundings, which have become progressively monolithic and featureless.We don’t question why nature matters. We implicitly understand that nature feeds us metaphorically as well as literally.Nowhere was this more evident than in the lockdowns endured during the earlier stages of the Covid pandemic, where city dwellers became ever more desperate to leave the urban sprawl and get into the green.Human beings are highly attuned to the sensory inputs of the natural environment.On the large scale, we respond to the sight of a captivating view.On the small scale, our senses can come alive at the sight of richly painted flowers, the pungent green smell of freshly cut grass or the song of a blackbird. Our response to beauty, to the right things in the right place, is part of what makes life worth living. Over the last century, a majority of the buildings we see, work in and live in have become increasingly monolithic, functional and featureless inside and out.They are anti-nature, or put another way, anti-human.The power of architecture to inspire, move and delight has been under attack for many years and for many different reasons.But emotion in architecture matters because it satisfies and encompasses the human condition and offers a glimpse into the transcendent.Emotion in architecture allow us to appreciate, aspire and connect. When our natural capacities for aesthetic appreciation are quashed, instead of feeling inspired, we feel imprisoned.Instead of feeling uplifted, we feel depressed. Instead of feeling liberated, we feel oppressed. Instead of feeling connected, we feel isolated. Bad buildings, like undiagnosed high blood pressure or type two diabetes, silently rob us of energy, health and well-being. This is not about the lofty projects that academics and critics are so keen to discuss.It’s about the buildings we see every day as we go about our business, the ones we live and work in: houses and shops, offices and cafes, schools and centres.It’s about the fact that so many of them are letting us down.
Price: 35.00 £ | Shipping*: 0.00 £ -
The Art of Japanese Architecture : History / Culture / Design
The Art of Japanese Architecture presents a complete overview of Japanese architecture in its historical and cultural context.The book begins with a discussion of early prehistoric dwellings and concludes with a description of works by important modern Japanese architects.Along the way it discusses the iconic buildings and architectural styles for which Japan is so justly famous—from elegant Shinden and Sukiya aristocratic villas like the Kinkakuji "Golden Pavilion" in Kyoto, to imposing Samurai castles like Himeji and Matsumoto, and tranquil Zen Buddhist gardens and tea houses to rural Minka thatched-roof farmhouses and Shinto shrines.Each period in the development of Japan's architecture is described in detail and the most important structures are shown and discussed—including dozens of UNESCO World Heritage Sites.The aesthetic trends in each period are presented within the context of Japanese society at the time, providing a unique in-depth understanding of the way Japanese architectural styles and buildings have developed over time and the great variety that is visible today. The book is profusely illustrated with hundreds of hand-drawn 3D watercolor illustrations and color photos as well as prints, maps and diagrams.The new edition features dozens of new photographs and a handy hardcover format that is perfect for travelers.
Price: 19.99 £ | Shipping*: 3.99 £ -
A Biography of Loneliness : The History of an Emotion
'A compassionate, wide-ranging study.' Terry Eagleton, The GuardianDespite 21st-century fears of a modern 'epidemic' of loneliness, its history has been sorely neglected. A Biography of Loneliness is the first history of its kind to be published in English, offering a radically new interpretation of loneliness as an emotional language and experience.Using letters and diaries, philosophical tracts, political discussions, and medical literature from the eighteenth century to the present, historian of the emotions Fay Bound Alberti argues that loneliness is not an ahistorical, universal phenomenon.It is, in fact, a modern emotion: before 1800, its language did not exist.As Alberti shows, the birth of loneliness is linked to the development of modernity: the all-encompassing ideology of the individual that has emerged in the mind and physical sciences, in economic structures, in philosophy and politics.While it has a biography of its own, loneliness impacts on people differently, according to their gender, ethnicity, religion, outlook, and socio-economic position.It is, Alberti argues, not a single state but an 'emotion cluster', composed of a wide variety of responses that include fear, anger, resentment and sorrow.In spite of this, loneliness is not always negative. And it is physical as well as psychological: loneliness is a product of the body as much as the mind.Looking at informative case studies such as Sylvia Plath, Queen Victoria, and Virginia Woolf, A Biography of Loneliness charts the emergence of loneliness as a modern emotional state.From social media addiction to widowhood, from homelessness to the oldest old, from mall hauls to massages, loneliness appears in all aspects of 21st-century life.Yet we cannot address its meanings, let alone formulate a cure, without attention to its complex, protean history.
Price: 14.99 £ | Shipping*: 3.99 £
-
Do emotion and reason go together?
Emotion and reason are often seen as two separate aspects of human cognition, but they are not mutually exclusive. In fact, they often work together to help us make decisions and navigate the world. Emotions can provide valuable information about our values and preferences, while reason can help us evaluate options and make logical choices. Ultimately, a balance of both emotion and reason is often necessary for making well-rounded and informed decisions.
-
Which emotion accompanies you the most?
As an AI, I do not experience emotions like humans do. I am designed to assist and provide information to the best of my abilities without any emotional influence. My main purpose is to help users with their queries and provide accurate and helpful responses.
-
Why is she writing without emotion?
She may be writing without emotion because she is trying to convey information in a clear and objective manner. This could be important in a professional or academic context where emotions may cloud the message. Additionally, she may be intentionally trying to distance herself from the topic or the reader in order to maintain a sense of professionalism or neutrality. Finally, it's possible that she is feeling emotionally detached from the subject matter and is reflecting that in her writing.
-
Is this lack of emotion normal?
The experience of a lack of emotion can be normal in certain situations, such as during periods of stress or grief. However, if the lack of emotion persists for an extended period of time and significantly impacts daily functioning, it may be a sign of an underlying mental health issue such as depression or anxiety. It is important to seek support from a mental health professional to better understand the cause of the lack of emotion and to receive appropriate treatment.
* All prices are inclusive of VAT and, if applicable, plus shipping costs. The offer information is based on the details provided by the respective shop and is updated through automated processes. Real-time updates do not occur, so deviations can occur in individual cases.