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  • Architecture and Anarchism : Building without Authority
    Architecture and Anarchism : Building without Authority

    This groundbreaking new book presents 60 projects - past and present, real and imagined - of 'anarchist' architecture.From junk playgrounds to Extinction Rebellion in the UK, from Christiania to the Calais Jungle in Europe, and from Dignity Village to Slab City in the USA - all are motivated by the core values of autonomy, voluntary association, mutual aid and self-organisation.Taken as a whole, they are meant as an inspiration to build less uniformly, more inclusively and more freely. Architecture and Anarchism documents and illustrates 60 projects, past and present, that key into a libertarian ethos and desire for diverse self-organised ways of building.They are what this book calls an 'anarchist' architecture, that is, forms of design and building that embrace the core values of traditional anarchist political theory since its divergence from the mainstream of socialist politics in the 19th century.These are autonomy, voluntary association, mutual aid, and self-organisation through direct democracy.As the book shows, there are a vast range of architectural projects that can been seen to refl ect some or all of these values, whether they are acknowledged as specifically anarchist or otherwise. Anarchist values are evident in projects that grow out of romantic notions of escape - from isolated cabins to intentional communities.Yet, in contrast, they also manifest in direct action - occupations or protests that produce micro-countercommunities.Artists also produce anarchist architecture - intimations of much freer forms of building cut loose from the demands of moneyed clients; so do architects and planners who want to involve users in a process normally restricted to an elite few.Others also imagine new social realities through speculative proposals.Finally, building without authority is, for some, a necessity - the thousands of migrants denied their right to become citizens, even as they have to live somewhere; or the unhoused of otherwise affl uent cities forced to build improvised homes for themselves. The result is to significantly broaden existing ideas about what might constitute anarchism in architecture and also to argue strongly for its nurturing in the built environment.Understood in this way, anarchism off ers a powerful way of reconceptualising architecture as an emancipatory, inclusive, ecological and egalitarian practice.

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  • The Art of Japanese Architecture : History / Culture / Design
    The Art of Japanese Architecture : History / Culture / Design

    The Art of Japanese Architecture presents a complete overview of Japanese architecture in its historical and cultural context.The book begins with a discussion of early prehistoric dwellings and concludes with a description of works by important modern Japanese architects.Along the way it discusses the iconic buildings and architectural styles for which Japan is so justly famous—from elegant Shinden and Sukiya aristocratic villas like the Kinkakuji "Golden Pavilion" in Kyoto, to imposing Samurai castles like Himeji and Matsumoto, and tranquil Zen Buddhist gardens and tea houses to rural Minka thatched-roof farmhouses and Shinto shrines.Each period in the development of Japan's architecture is described in detail and the most important structures are shown and discussed—including dozens of UNESCO World Heritage Sites.The aesthetic trends in each period are presented within the context of Japanese society at the time, providing a unique in-depth understanding of the way Japanese architectural styles and buildings have developed over time and the great variety that is visible today. The book is profusely illustrated with hundreds of hand-drawn 3D watercolor illustrations and color photos as well as prints, maps and diagrams.The new edition features dozens of new photographs and a handy hardcover format that is perfect for travelers.

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  • Europe without Borders : A History
    Europe without Borders : A History

    The contested creation of free movement—for people and goods—in the Schengen area of EuropeEurope is a place of free movement among nations—or is it?The Schengen area, established in 1985 and today encompassing twenty-nine European countries, allows people, goods, and capital to cross borders without restraint.Schengen transformed European life, advancing both a democratic project of transnational citizenship and a neoliberal project of international free trade.But the right of free movement always excluded non-Europeans, especially migrants of color from former colonies of the Schengen states.In Europe without Borders, Isaac Stanley-Becker explores the contested creation of free movement in Schengen, from treatymaking at European summits and disputes in international courts to the street protests of undocumented immigrants who claimed free movement as a human right. Schengen laid the groundwork for the making of a single market and the founding of the European Union.Yet its emergence is one of the great untold stories of modern European history, one hidden in archives long embargoed.Stanley-Becker is among the first to have access to records of the treatymaking—such as letters between France’s François Mitterrand and West Germany’s Helmut Kohl—and Europe without Borders offers a pathbreaking account of Schengen’s creation.Stanley-Becker argues that Schengen gave a humanist cast to a market paradigm; but even in pairing the border crossing of human beings with the principles of free-market exchange, this vision of free movement was hedged by alarm about foreign migrants.Meanwhile, these migrants—the sans-papiers—saw in the promise of a borderless Europe only a neocolonial enterprise.

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  • Europe and the People Without History
    Europe and the People Without History

    Offering insight and equal consideration into the societies of the "civilized" and "uncivilized" world, "Europe and the People Without History" deftly explores the historical trajectory of so-called modern globalization.In this foundational text about the development of the global political economy, Eric R.Wolf challenges the long-held anthropological notion that non-European cultures and people were isolated and static entities before the advent of European colonialism and imperialism.Ironically referred to as "the People Without History" by Wolf, these societies before active colonization possessed perpetually changing, reactionary cultures and were indeed just as intertwined into the processes of the pre-Columbian global economic system as their European counterparts.Utilizing Marxian concepts and a vivid consideration for the importance of history, Wolf judiciously traces the effects and conditions in Europe and the rest of the "known" world, beginning in 1400 AD, that allowed capitalism to emerge as the dominant ideology of the modern era.

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  • Can Spain survive without tourism?

    Spain's economy heavily relies on tourism, which accounts for a significant portion of its GDP and employment. While it would be challenging for Spain to survive without tourism, the country has other industries such as agriculture, manufacturing, and services that could help support its economy. However, the absence of tourism would have a major impact on Spain's economy, leading to job losses and a decrease in revenue. Therefore, it would be difficult for Spain to thrive in the long term without a strong tourism sector.

  • What are art and culture events?

    Art and culture events are gatherings or activities that showcase various forms of artistic expression, such as visual arts, music, dance, theater, literature, and more. These events provide a platform for artists to share their work with the public and engage in creative dialogue. They also offer opportunities for individuals to immerse themselves in different cultural experiences, broaden their perspectives, and appreciate the diversity of human expression. Overall, art and culture events play a vital role in enriching communities, fostering creativity, and promoting understanding and connection among people.

  • How can one practice architecture without drawing?

    One can practice architecture without drawing by utilizing various digital tools and software such as computer-aided design (CAD) programs, 3D modeling software, and virtual reality technology. These tools allow architects to create detailed designs, renderings, and walkthroughs without the need for traditional hand-drawn sketches. Additionally, architects can also communicate their ideas through verbal descriptions, physical models, and collaboration with other professionals to bring their vision to life. Ultimately, while drawing can be a valuable skill in architecture, it is not the only method of expressing and developing architectural ideas.

  • Can one study architecture without good math skills?

    While having good math skills can certainly be beneficial for studying architecture, it is not necessarily a requirement. Architecture is a multidisciplinary field that involves creativity, design, and problem-solving, in addition to technical skills. While math is important for aspects such as structural engineering and construction planning, there are many other aspects of architecture that do not require advanced math skills. With dedication and hard work, it is possible to study and succeed in architecture without being a math whiz.

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  • Public Humanities in Architecture : Reflections on Heritage, Culture, and History
    Public Humanities in Architecture : Reflections on Heritage, Culture, and History

    Anyone concerned with the history, tradition, and culture of our built environment will sooner or later come across the term ‘Public Humanities’.At the interface between an academic discipline and the media-oriented culture industry, Public Humanities is established as a field of inquiry in the US and is increasingly becoming so in Europe too. Whether this field of research remains a product of Western culture will only become apparent in the coming years.However, linking architectural debate with the humanities is an important concern of the papers collected here. These essays on architectural theory provide academic food for thought while encouraging reflection on the discipline of architecture and stimulating urban design in the twenty-first century.The lectures collected here are from a class on Public Humanities at Brown University.

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  • On the Pleasure Principle in Culture : Illusions Without Owners
    On the Pleasure Principle in Culture : Illusions Without Owners

    In this fascinating work of cultural theory and philosophy, Robert Pfaller explores the hidden cost of our contemporary approach to pleasure, belief and illusion.Sports, design, eroticism, social intercourse and games-indeed, all those aspects of our culture commonly deemed "pleasurable"-seem to require beliefs that many regard as illusory.But in considering themselves above the self-deceptions of the crowd, those same sceptics are prone to dismissing a majority of the population as naive or misguided.In doing so, they create a false opposition between the 'simple' masses and their more enlightened rulers. And this dichotomy then functions as an ideological support for neoliberal government: citizens become irrational victims, to be ruled over by a protective security state.What initially appears to be a universal pleasure principle-the role of "anonymous illusions" in mass culture-in this way becomes a rationale for dismantling democracy.

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  • Erased : A History of International Thought Without Men
    Erased : A History of International Thought Without Men

    How a field built on the intellectual labor and expertise of women erased them The academic field of international relations presents its own history as largely a project of elite white men. And yet women played a prominent role in the creation of this new cross-disciplinary field.In Erased, Patricia Owens shows that, since its beginnings in the early twentieth century, international relations relied on the intellectual labour of women and their expertise on such subjects as empire and colonial administration, anticolonial organising, non-Western powers, and international organisations.Indeed, women were among the leading international thinkers of the era, shaping the development of the field as scholars, journalists, and public intellectuals—and as heterosexual spouses and intimate same-sex partners. Drawing on a wide range of archival sources, and weaving together personal, institutional, and intellectual narratives, Owens documents key moments and locations in the effort to forge international relations as a separate academic discipline in Britain.She finds that women’s ideas and influence were first marginalised and later devalued, ignored, and erased.Examining the roles played by some of the most important women thinkers in the field, including Margery Perham, Merze Tate, Eileen Power, Margaret Cleeve, Coral Bell, and Susan Strange, Owens traces the intellectual and institutional legacies of misogyny and racism.She argues that the creation of international relations was a highly gendered and racialised project that failed to understand plurality on a worldwide scale.Acknowledging this intellectual failure, and recovering the history of women in the field, points to possible sources for its renewal.

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  • In Between and Across : Legal History Without Boundaries
    In Between and Across : Legal History Without Boundaries

    The boundaries between the history of law and the history of everything else are quite blurry nowadays.Whether one is asking questions about the origins of the carceral state, the relationship between slavery and capitalism, the history of migration flows and empires, the longer story of human rights, the building of the straight state, the role of religion in public life, or many others, there is a shared belief that law and its history matters.In fact, legal historians began to focus on the blurring of boundaries such as those between markets and politics, between identity and state power, as well as between national borders and the flows of people, capital and ideas around the world.Legal history, broadly conceived, seems to mark much of the most exciting work that is redrawing the boundaries of historical scholarship in many areas of study.In Between and Across: Legal History without Boundaries gathers some of the newest and freshest work by both younger and established scholars who are carrying forward that project and extending it into new areas of historical inquiry.It captures the best of the new and innovative tools and questions that have made law a central plane of inquiry, charts novel directions for the field, and poses broader questions concerning the past, present, and future. Crossing a wide variety of geographic areas (from British-ruled Australia to colonial India and Malaysia, to the United States), the authors sketch new boundaries for the field to cross - boundaries of time, geography, and method - and claim that legal history provides the language to talk across national borders.

    Price: 81.00 £ | Shipping*: 0.00 £
  • Can one study history without Latin?

    Yes, one can study history without knowing Latin. While Latin was the language of the ancient Romans and many historical texts are written in Latin, there are translations available in various languages. Additionally, there are many historical sources and resources available in English and other languages that can be used to study history effectively. While knowing Latin can be beneficial for studying certain historical texts, it is not a requirement to study and understand history.

  • Is architecture a profession without a future and salary?

    No, architecture is not a profession without a future and salary. Architecture plays a crucial role in shaping the built environment and will continue to be in demand as long as there is a need for buildings and structures. Architects can earn competitive salaries, especially as they gain experience and specialize in certain areas of the field. With advancements in technology and sustainable design practices, the field of architecture is constantly evolving and offering new opportunities for growth and innovation.

  • How can one learn Taekwondo without participating in events?

    One can learn Taekwondo without participating in events by finding a qualified instructor or school to provide regular training sessions. Many Taekwondo schools offer classes for all skill levels, from beginner to advanced, and focus on teaching the fundamental techniques, forms, and self-defense skills of Taekwondo. Additionally, there are numerous online resources, such as instructional videos and tutorials, that can supplement in-person training and help individuals learn and practice Taekwondo at their own pace. Consistent practice, dedication, and a commitment to learning and improving are essential for mastering Taekwondo, even without participating in events.

  • What are electricity and high culture history?

    Electricity history refers to the development and use of electricity as a form of energy, including the discovery of electricity, the invention of electric devices, and the establishment of electrical systems. High culture history, on the other hand, refers to the history of cultural and artistic achievements that are considered to be of high quality and sophistication, such as classical music, literature, fine arts, and theater. Both electricity and high culture history have evolved over time, shaping the way we live and appreciate the world around us.

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